Oscars 2019 Predictions – Best Picture

With just over 24 hours to go until the 91st Academy Awards get underway, we finally turn our attention to the biggest award of the night: Best Picture.

89th Annual Academy Awards - Backstage

Will win: Roma
Should win: Vice
Also nominated: Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, A Star is Born

This could well be the most difficult race for Best Picture to call in recent years. It is a very strong selection of films that have been nominated, and the tide of opinion on who will win has ebbed and flowed throughout this awards season.

Looking purely at audience numbers, the most popular film is clearly Black Panther. The Academy was widely ridiculed when it attempted to introduce a Best Popular Film category for this year’s ceremony, and this was in large part because critics and moviegoers did not want to see a film as strong as Black Panther nominated in a token Best-of-the-Rest category. It’s a rarity for a blockbuster of this scale to be nominated for Best Picture, and it did extremely well to pick up the main prize at the recent Screen Actors Guild Awards – however, as monumental as this nomination is, it won’t be translating into a win on this occasion.

Black Panther.jpg

Black Panther has defied the odds and picked up a nomination for Best Picture.

Bohemian Rhapsody and A Star is Born are films which fall into a similar category. Both were very well-received by moviegoers and did well at the box office, but have very slim chances of scooping Best Picture. In the case of Bohemian Rhapsody, this is deserved. Despite an excellent performance from its lead actor, it is a mediocre film largely buoyed by the popularity of its soundtrack. A Star is Born, on the other hand, is a far more impressive piece of filmmaking, propelled by intelligent direction, excellent writing and inspiring lead performances. Historically, however, ‘popular’ hasn’t done well in this category. What’s more, the film is far from complimentary about the price of fame, which isn’t the sort of narrative that flatters Hollywood voters. A win for either here is unlikely.

BlacKkKlansman and The Favourite also pick up nominations in this category. Of the two, The Favourite is by far the stronger film. However, it’s very dark, very quirky, and all in all perhaps a little too zany for the Academy’s traditionally conservative taste. The Favourite‘s best chance of picking up a prize for Best Picture was at the recent BAFTA awards. That it failed to do so there speaks volumes about its chances tomorrow night. As for BlacKkKlansman, it is a far more conventional film, at least in terms of aesthetics, tone and direction. However, it is anti-establishment and unabashed in its racial and political commentary. The Academy likes to think it is becoming more open and diverse, but it has a very long way to go and in most cases it will still choose to play things safe. BlackKlansman is not a safe film, and it will not win Best Picture.

BlacKkKlansman

Spike Lee’s BlacKkKlansman is unlikely to appeal to the Academy’s historically traditional tastes.

Green Book, on the other hand, would be a very safe choice. It’s about family, friendship, and triumphing against the odds, three of the key ingredients which appeal to Oscar voters. It’s also got great acting, great writing and great directing – there’s not much more you can ask for. However, is it Best Picture worthy? Perhaps not. It certainly is very good in almost every department, but it lacks the spectacular and falls just short of being exceptional. That said, there’s plenty of awards buzz about it and there are more than whispers of it picking up the main prize – but don’t necessarily put your house on it.

Away from the buzz, right at the peripheries of the Best Picture race, is Vice. Staunchly political though it may be, it’s perplexing that a film this brilliant has been all but ruled out as a contender. Quite simply, it is excellent. It’s assured, bold, daring and has something of value to say about the world in which we live. What’s more, it conveys that message in an extremely engaging manner, driven by superb editing, directing and lead performances. In all honesty, it probably is the best film nominated in this category, but this just isn’t its year.

Vice 3.png

Adam McKay’s Vice is a superb film and would be a worthy winner of the Best Picture crown.

This leaves us with just one winner: Alfonso Cuarón’s almost universally-acclaimed Roma. For a long time, a win for Roma looked unlikely. After all, in its entire history, this marks only the ninth time that the Academy has nominated a non-English language film in the Best Picture category. Never has one actually won.

Similarly, a relatively recent arrival to the Hollywood scene, not once has a Netflix-produced film been nominated for Best Picture, let alone won. To win, Roma will therefore need to make history in not one but two departments. This did initially seem like too great an ask – and yet, the film has performed spectacularly well this awards season. It goes into tomorrow’s ceremony as favourite, riding a huge wave of momentum. Its win is not guaranteed by any means, but it is a very. very good piece of cinema and all the signs are pointing that way.

Roma Cinematography

In a year where the Best Picture winner is almost too close to call, Alfonso Cuarón’s Roma has emerged as the slender favourite.

Oscars 2019 Predictions – Best Original Song, Best Original Score

Two categories which go together hand-in-hand are Best Original Song and Best Original Score. Historically, nominees in the Best Original Song category have performed before the award is presented.

89th Annual Academy Awards - Backstage

Best Original Song

Will win: Shallow (A Star is Born)
Should win: Shallow (A Star is Born)
Also nominated: All the Stars (Black Panther), I’ll Fight (RBG), The Place Where Lost Things Go (Mary Poppins Returns), When A Cowboy Trades His Spurs for Wings (The Ballad of Buster Scruggs)

Lady Gaga and Mark Ronson’s Shallow is the odds-on favourite in this category, and rightly so. It is a song of great emotional resonance and truth, a conversation between two lost souls which builds emphatically to an earth-shattering climax and expression of self.

Unlike the other nominees and their relationships with their respective films, A Star is Born could not exist without Shallow. It is the beating heart of the film, the moment around which the story is built. In the few months since its release, it has become a cultural phenomenon, and the Academy Award for Best Original Song deserves to be its crowning achievement. This one isn’t even close.

Shallow

Dazzling and powerful, Lady Gaga’s Shallow from A Star is Born looks certain to win the Academy Award for Best Original Song.

Best Original Score

Will win: If Beale Street Could Talk
Should win: If Beale Street Could Talk
Also nominated: Black Panther, Isle of Dogs, Mary Poppins Returns

Nicholas Britell’s soundtrack for If Beale Street Could Talk has steadily emerged as the favourite to win the Academy Award for Best Original Score and, although the category is far from clear-cut, it’s easy to see why. The sadness of its piano chords and its slow, aching strings are uplifted by soft melodies which affirm the film’s message. As far as competition goes, Marc Shaiman’s soundtrack to Mary Poppins Returns is the obvious choice, but Terence Blanchard’s stellar work for BlacKkKlansman is certainly worthy of merit, even though it appears to have flown under the radar this awards season.

If Beale Street Could Talk

The soundtrack to If Beale Street Could Talk has slowly emerged as favourite in the Best Original Score category.

Oscars 2019 Predictions – Best Production Design, Best Film Editing, Best Cinematography

In today’s look at the upcoming Academy Awards, we focus on three of the more prestigious technical categories: Best Production Design, Best Film Editing and Best Cinematography. The Best Film Editing category has historically provided a good indication of what will fare well in the Best Picture category.

89th Annual Academy Awards - Backstage

Best Production Design

Will win: The Favourite
Should win: The Favourite
Also nominated: Black Panther, First Man, Mary Poppins Returns, Roma

The world that Fiona Crombie and Alice Felton have created in The Favourite is deeply unpleasant (in the best possible way). It is dark, claustrophobic and disconcertingly eerie. Every corner holds secrets and all the walls have ears. It is the perfect realisation of Yorgos Lanthimos’ vision and would be a deserving winner in this category. The sprawling Wakandan paradise of Black Panther is its closest rival.

The Favourite PD

Dark and mysterious, the production design of The Favourite is the perfect realisation of director Yorgos Lanthomos’ vision.

Best Film Editing

Will win: Vice
Should win: Vice
Also nominated: BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book

A few years ago, Hank Corwin was robbed of his Academy Award when his editing for The Big Short was overlooked in favour of Mad Max: Fury Road. Three years later, he is back and nominated again for his work on another Adam McKay film. With Vice, much like The Big Short before it, the editing is fast, snappy and an integral part of the storytelling process. It moves the film along at a whirlwind pace and makes complicated themes and ideas easily digestible. This is no easy thing to do, and his Oscar will be fully deserved and long overdue.

Vice

The masterful editing of Vice is an integral part of the storytelling process.

Best Cinematography

Will win: Roma
Should win: Roma
Also nominated: Cold War, The Favourite, Never Look Away, A Star is Born

Alfonso Cuarón’s direction in Roma is noticeably understated. When the camera moves, it is with a calm and considered slowness, and shots can linger for minutes. The advantage of this, as Cuarón well knows, is that it gives the viewer ample opportunity to marvel in the beautiful black and white cinematography of the film. It is gorgeously shot, to the extent that each frame could well be a photograph. Cold War, which also happens to be shot in black and white, is probably the next-best film in this category, but it is in a quite distant second.

Roma Cinematography

Oscars 2019 Predictions – Best Makeup and Hairstyling, Best Costume Design

In today’s Oscar prediction post, we take a look at two technical categories that have always been closely linked.

89th Annual Academy Awards - Backstage

Best Makeup and Hairstyling

Will win: Vice
Should win:
Vice
Also nominated: Border, Mary Queen of Scots

Christian Bale has undergone a lot of transformations over the years for the sake of his craft, but none are as impressive as his metamorphosis into the much maligned former-Vice President Dick Cheney in Adam McKay’s Vice. What Greg Cannom, Kate Biscoe and Patricia Dehaney have achieved here is truly remarkable. They have allowed Bale, Sam Rockwell (as President George W. Bush), Amy Adams (as Lynne Cheney), Steve Carell (as Donald Rumsfeld) et al. to utterly inhabit and become their characters in what is undoubtedly some of the best makeup and hairstyling work that has been seen in recent years.

Vice

Christian Bale undergoes a total transformation in Vice. Unrecognisable as himself, he is instantly recognisable as the menacing Dick Cheney.

Best Costume Design

Will win: The Favourite
Should win: 
The Favourite
Also nominated: The Ballad of Buster Scruggs, Black Panther, Mary Poppins Returns, Mary Queen of Scots

Sandy Powell is no stranger to the Academy Awards. She already has three to her name and has even been nominated twice in this category this year, which is great testament to her dominance in this field. However, that’s not to say she doesn’t face tough opposition; Ruth E. Carter’s costumes for Black Panther have become iconic since the film hit our screens, and there’s a powerful opulence about Alexandra Byrne’s work on Mary Queen of Scots. But there is no competing against the glorious, extravagant Sandy Powell creations that can be seen in The Favourite.

The Favourite

Sandy Powell’s work on The Favourite is hotly tipped to pick up an Academy Award later this month.

Oscars 2019 Predictions – Best Sound Editing, Best Sound Mixing

With the 91st Academy Awards now less than two weeks away, over the coming few days we will be taking a look at the films that have been nominated. The ceremony has already had its fair share of controversy and, for the first time in three decades, will be held without a host. However, the golden statuette has lost none of its prestige or reverence, and each category will be as hotly contested as ever.

89th Annual Academy Awards - Backstage

Best Sound Editing

Will win: A Quiet Place
Should win: A Quiet Place
Also nominated: Black Panther, Bohemian Rhapsody, First Man, Roma

As its title suggests, in first-time director John Krasinski’s debut it is silence that takes centre stage. Of course, whenever stillness is given so strong a focus, greater emphasis is always placed on what little sound does feature. Had any element been not quite right, had any note been off, the film would simply not have worked. Though the sound work on First Man and Bohemian Rhapsody will also be in close contention here, they are not as intrinsic to their films as the sparse, minimalist sound of A Quiet Place and therefore don’t quite reach the same heights.

A Quiet Place

In a film predicated on silence, it is the rare moments of sound which take the limelight.

Best Sound Mixing

Will win: A Star is Born
Should win: A Star is Born
Also nominated: Black Panther, Bohemian Rhapsody, First Man, Roma

There are numerous parallels that can be drawn between A Star is Born and Bohemian Rhapsody. Perhaps the most obvious is that, in both, pivotal moments take place on the middle of a concert stage. Bohemian Rhapsody, quite understandably, allows Freddie Mercury’s vocals to soar above a roaring Wembley crowd in its final scenes, but what A Star is Born achieves is something far more difficult and new for cinema. When Lady Gaga blasts the bridge from Shallow, or when Bradley Cooper hits the searing opening guitar notes of Black Eyes, it is a completely immersive experience. Music performances on screen are not uncommon, but feeling that you are actually there in that moment is something few films have achieved before. Without detracting from the other nominees in the slightest (the sound editing in First Man is also worthy of note), there is only one rightful winner in this category.

A Star is Born (Sound) 2

The immersive sound editing of A Star is Born achieves something rarely seen (or heard) on screen before.