Oscars 2019 Predictions – Best Picture

With just over 24 hours to go until the 91st Academy Awards get underway, we finally turn our attention to the biggest award of the night: Best Picture.

89th Annual Academy Awards - Backstage

Will win: Roma
Should win: Vice
Also nominated: Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, A Star is Born

This could well be the most difficult race for Best Picture to call in recent years. It is a very strong selection of films that have been nominated, and the tide of opinion on who will win has ebbed and flowed throughout this awards season.

Looking purely at audience numbers, the most popular film is clearly Black Panther. The Academy was widely ridiculed when it attempted to introduce a Best Popular Film category for this year’s ceremony, and this was in large part because critics and moviegoers did not want to see a film as strong as Black Panther nominated in a token Best-of-the-Rest category. It’s a rarity for a blockbuster of this scale to be nominated for Best Picture, and it did extremely well to pick up the main prize at the recent Screen Actors Guild Awards – however, as monumental as this nomination is, it won’t be translating into a win on this occasion.

Black Panther.jpg

Black Panther has defied the odds and picked up a nomination for Best Picture.

Bohemian Rhapsody and A Star is Born are films which fall into a similar category. Both were very well-received by moviegoers and did well at the box office, but have very slim chances of scooping Best Picture. In the case of Bohemian Rhapsody, this is deserved. Despite an excellent performance from its lead actor, it is a mediocre film largely buoyed by the popularity of its soundtrack. A Star is Born, on the other hand, is a far more impressive piece of filmmaking, propelled by intelligent direction, excellent writing and inspiring lead performances. Historically, however, ‘popular’ hasn’t done well in this category. What’s more, the film is far from complimentary about the price of fame, which isn’t the sort of narrative that flatters Hollywood voters. A win for either here is unlikely.

BlacKkKlansman and The Favourite also pick up nominations in this category. Of the two, The Favourite is by far the stronger film. However, it’s very dark, very quirky, and all in all perhaps a little too zany for the Academy’s traditionally conservative taste. The Favourite‘s best chance of picking up a prize for Best Picture was at the recent BAFTA awards. That it failed to do so there speaks volumes about its chances tomorrow night. As for BlacKkKlansman, it is a far more conventional film, at least in terms of aesthetics, tone and direction. However, it is anti-establishment and unabashed in its racial and political commentary. The Academy likes to think it is becoming more open and diverse, but it has a very long way to go and in most cases it will still choose to play things safe. BlackKlansman is not a safe film, and it will not win Best Picture.

BlacKkKlansman

Spike Lee’s BlacKkKlansman is unlikely to appeal to the Academy’s historically traditional tastes.

Green Book, on the other hand, would be a very safe choice. It’s about family, friendship, and triumphing against the odds, three of the key ingredients which appeal to Oscar voters. It’s also got great acting, great writing and great directing – there’s not much more you can ask for. However, is it Best Picture worthy? Perhaps not. It certainly is very good in almost every department, but it lacks the spectacular and falls just short of being exceptional. That said, there’s plenty of awards buzz about it and there are more than whispers of it picking up the main prize – but don’t necessarily put your house on it.

Away from the buzz, right at the peripheries of the Best Picture race, is Vice. Staunchly political though it may be, it’s perplexing that a film this brilliant has been all but ruled out as a contender. Quite simply, it is excellent. It’s assured, bold, daring and has something of value to say about the world in which we live. What’s more, it conveys that message in an extremely engaging manner, driven by superb editing, directing and lead performances. In all honesty, it probably is the best film nominated in this category, but this just isn’t its year.

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Adam McKay’s Vice is a superb film and would be a worthy winner of the Best Picture crown.

This leaves us with just one winner: Alfonso Cuarón’s almost universally-acclaimed Roma. For a long time, a win for Roma looked unlikely. After all, in its entire history, this marks only the ninth time that the Academy has nominated a non-English language film in the Best Picture category. Never has one actually won.

Similarly, a relatively recent arrival to the Hollywood scene, not once has a Netflix-produced film been nominated for Best Picture, let alone won. To win, Roma will therefore need to make history in not one but two departments. This did initially seem like too great an ask – and yet, the film has performed spectacularly well this awards season. It goes into tomorrow’s ceremony as favourite, riding a huge wave of momentum. Its win is not guaranteed by any means, but it is a very. very good piece of cinema and all the signs are pointing that way.

Roma Cinematography

In a year where the Best Picture winner is almost too close to call, Alfonso Cuarón’s Roma has emerged as the slender favourite.

Oscars 2019 Predictions – Best Director

As we edge ever closer to the big day, today we turn out attention to one of the biggest awards of the night: Best Director.

89th Annual Academy Awards - Backstage

Will win: Alfonso Cuarón (Roma)
Should win: Alfonso Cuarón (Roma)
Also nominated: Spike Lee (BlacKkKlansman), Pawel Pawlikowski (Cold War), Yorgos Lanthimos (The Favourite), Adam McKay (Vice)

Alfonso Cuarón is no stranger to the Oscars. He has won twice before (once for Directing, once for Editing) and his latest cinematic offering, Roma, is almost certain to pick up the awards for Best Foreign Language Film and Best Cinematography on Sunday. However, as if that weren’t enough, he is the resounding favourite to win for Best Director, too.

This is not to say that the brilliance of the other directors is not plain to see. The other four films each bear the unique and distinct stamps of their respective directors, and it’s hard to think of any other filmmakers being able to tell those stories quite so well.

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Yorgos’ Lanthimos is among this year’s nominees for Best Director for his work on The Favourite.

Pawel Pawlikowski’s Cold War is gorgeously shot, a melancholy meditation on love and what could have been that deserves a larger audience than it has received so far. On the other end of the spectrum, The Favourite is classic Yorgos Lanthimos. Eccentric, dark and offbeat, it is funny and sinister in equal measure. His directorial style is not to everyone’s taste, but it certainly captures the imagination.

In BlacKkKlansman Spike Lee provides a funny but thought-provoking insight on race relations which feels more relevant than ever, whilst Adam McKay’s Vice is assured, brash, snappy and equally critical of Trump’s America and its origins.

Excellent though the directorial work on the other nominated films in this category may be, Cuarón’s delicate, understated take on life in 1970s Mexico is leagues above everything else. There’s a stillness about his work, and a patience in the storytelling, which is deeply immersive. There’s also a gentle innocence to it which makes this portrait of everyday life feel profoundly intimate and personal. The end product is a beautiful piece of cinema, and Cuarón will be a worthy second-time winner of this award.

ROMA

Barring any great upset, Alfonso Cuarón looks set to pick up his second Oscar for Best Director for Roma.

Oscars 2019 Predictions – Best Supporting Actor

Best Supporting Actor is the category that we turn our attention to today. This is the first Oscar nomination for three of the nominees, whilst the other two are previous winners in this category.

89th Annual Academy Awards - Backstage

Will win: Mahershala Ali (Green Book)
Should win: Sam Rockwell (Vice)
Also nominated: Adam Driver (BlacKkKlansman), Sam Elliott (A Star is Born), Richard E. Grant (Can You Ever Forgive Me?)

The real contest in this particular category appears to be between the two actors who have triumphed in it before: Mahershala Ali and Sam Rockwell. Of the two, Ali is the favourite, though it is Rockwell who turns in the better performance.

Ali is excellent as Don Shirley in Green Book, and plays off his co-star Viggo Mortensen particularly well – however, it is a relatively measured, even one-note performance. Stoic through and through, there are a couple of scenes in which we get a glimpse of what Ali is capable of, but on balance the source material doesn’t give him much with which to flex his acting muscles. On the other hand, whilst Rockwell’s role in Vice is limited (he plays President George W. Bush to Christian Bale’s Vice-President Dick Cheney), his attention to detail is without comparison. Every mannerism and nuance of the naive and inxperienced Dubyah is present in his performance, and it’s a pleasure to watch.

PIANIST DON SHIRLEY

Mahershala Ali looks set to pick up his second win for Best Supporting Actor in just three years for his performance in Green Book.

Sam Elliott’s performance as Jackson Maine’s long-suffering older brother Bobby in A Star is Born comfortably qualifies him for the title ‘Best of the Rest’ in this category. The main plaudits for the film rightly went to Lady Gaga and Bradley Cooper, just as the prize for this category will likely go to either Ali or Rockwell, but Elliott has turned in an understated and powerful performance that at least appears to have won him a new generation of fans.

Richard E. Grant’s performance in Can You Ever Forgive Me? is certainly serviceable but ventures a little too far into the realms of caricature at times. Meanwhile, as pleasing as it is that Adam Driver has finally been nominated for an Oscar, there is a nagging sense that he has been nominated for the wrong film. His turn as Flip Zimmerman in BlacKkKlansman is solid but far from a career best, and in fact he has shown more depth in films such as Silence or even Star Wars.

Sam Elliott A Star Is Born

Sam Elliott is excellent as Bobby Maine in A Star is Born, though is unlikely to win the Academy Award on this occasion.

Oscars 2019 Predictions – Best Adapted Screenplay

In today’s post, we will be taking a look at the nominees for Best Adapted Screenplay at the upcoming 91st Academy Awards.

89th Annual Academy Awards - Backstage

Will win: BlacKkKlansman
Should win: A Star is Born
Also nominated: The Ballad of Buster Scruggs, Can You Ever Forgive Me?, If Beale Street Could Talk

It will probably be considered an upset if anything but BlacKkKlansman goes on to win the award for Best Adapted Screenplay – however, put simply, it is not the strongest screenplay nominated in this category. BlacKkKlansman is a fine film and its screenplay does a serviceable job, but one does have to wonder if its perceived dominance here is largely because of Spike Lee’s involvement. Lee is a brilliant director who has inexplicably failed to garner much attention from the Academy during his long and illustrious career. Given that his nominations in the Best Director and Best Picture categories this year are unlikely to yield any golden statuettes, Best Adapted Screenplay may well be the token award that rights the wrongs of Academy Awards gone by.

In truth, the more deserving winner would be Bradley Cooper, Eric Roth and Will Fetters’ screenplay for A Star is Born. It has been well documented that this is a film that has been remade numerous times throughout the years, with Cooper’s directorial debut serving as its fourth iteration. Far from retreading old ground, this is a screenplay which confidently reimagines the story for a different generation, adding layers of vibrancy  that make it feel bold and dynamic. It is no easy feat to make a story told this many times feel so fresh and relevant, and it is a great shame that it will likely go overlooked.

Whilst If Beale Street Could Talk and Can You Ever Forgive Me? both appear to have outside chances of doing well here, neither are strong enough to make waves that could rock the boat, and all the signs continue to point towards a win for BlacKkKlansman.

BlacKkKlansman

BlacKkKlansman is hot favourite to win the Best Adapted Screenplay category.

Oscars 2019 Predictions – Best Original Song, Best Original Score

Two categories which go together hand-in-hand are Best Original Song and Best Original Score. Historically, nominees in the Best Original Song category have performed before the award is presented.

89th Annual Academy Awards - Backstage

Best Original Song

Will win: Shallow (A Star is Born)
Should win: Shallow (A Star is Born)
Also nominated: All the Stars (Black Panther), I’ll Fight (RBG), The Place Where Lost Things Go (Mary Poppins Returns), When A Cowboy Trades His Spurs for Wings (The Ballad of Buster Scruggs)

Lady Gaga and Mark Ronson’s Shallow is the odds-on favourite in this category, and rightly so. It is a song of great emotional resonance and truth, a conversation between two lost souls which builds emphatically to an earth-shattering climax and expression of self.

Unlike the other nominees and their relationships with their respective films, A Star is Born could not exist without Shallow. It is the beating heart of the film, the moment around which the story is built. In the few months since its release, it has become a cultural phenomenon, and the Academy Award for Best Original Song deserves to be its crowning achievement. This one isn’t even close.

Shallow

Dazzling and powerful, Lady Gaga’s Shallow from A Star is Born looks certain to win the Academy Award for Best Original Song.

Best Original Score

Will win: If Beale Street Could Talk
Should win: If Beale Street Could Talk
Also nominated: Black Panther, Isle of Dogs, Mary Poppins Returns

Nicholas Britell’s soundtrack for If Beale Street Could Talk has steadily emerged as the favourite to win the Academy Award for Best Original Score and, although the category is far from clear-cut, it’s easy to see why. The sadness of its piano chords and its slow, aching strings are uplifted by soft melodies which affirm the film’s message. As far as competition goes, Marc Shaiman’s soundtrack to Mary Poppins Returns is the obvious choice, but Terence Blanchard’s stellar work for BlacKkKlansman is certainly worthy of merit, even though it appears to have flown under the radar this awards season.

If Beale Street Could Talk

The soundtrack to If Beale Street Could Talk has slowly emerged as favourite in the Best Original Score category.

Oscars 2019 Predictions – Best Production Design, Best Film Editing, Best Cinematography

In today’s look at the upcoming Academy Awards, we focus on three of the more prestigious technical categories: Best Production Design, Best Film Editing and Best Cinematography. The Best Film Editing category has historically provided a good indication of what will fare well in the Best Picture category.

89th Annual Academy Awards - Backstage

Best Production Design

Will win: The Favourite
Should win: The Favourite
Also nominated: Black Panther, First Man, Mary Poppins Returns, Roma

The world that Fiona Crombie and Alice Felton have created in The Favourite is deeply unpleasant (in the best possible way). It is dark, claustrophobic and disconcertingly eerie. Every corner holds secrets and all the walls have ears. It is the perfect realisation of Yorgos Lanthimos’ vision and would be a deserving winner in this category. The sprawling Wakandan paradise of Black Panther is its closest rival.

The Favourite PD

Dark and mysterious, the production design of The Favourite is the perfect realisation of director Yorgos Lanthomos’ vision.

Best Film Editing

Will win: Vice
Should win: Vice
Also nominated: BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book

A few years ago, Hank Corwin was robbed of his Academy Award when his editing for The Big Short was overlooked in favour of Mad Max: Fury Road. Three years later, he is back and nominated again for his work on another Adam McKay film. With Vice, much like The Big Short before it, the editing is fast, snappy and an integral part of the storytelling process. It moves the film along at a whirlwind pace and makes complicated themes and ideas easily digestible. This is no easy thing to do, and his Oscar will be fully deserved and long overdue.

Vice

The masterful editing of Vice is an integral part of the storytelling process.

Best Cinematography

Will win: Roma
Should win: Roma
Also nominated: Cold War, The Favourite, Never Look Away, A Star is Born

Alfonso Cuarón’s direction in Roma is noticeably understated. When the camera moves, it is with a calm and considered slowness, and shots can linger for minutes. The advantage of this, as Cuarón well knows, is that it gives the viewer ample opportunity to marvel in the beautiful black and white cinematography of the film. It is gorgeously shot, to the extent that each frame could well be a photograph. Cold War, which also happens to be shot in black and white, is probably the next-best film in this category, but it is in a quite distant second.

Roma Cinematography