Oscars 2019 Predictions – Best Actress

In today’s post, we take a look at one of the most exciting categories in this year’s Academy Awards, as we shine a light on the actresses nominated for Best Actress.

89th Annual Academy Awards - Backstage

Will win: Glenn Close (The Wife)
Should win: Glenn Close (The Wife)
Also nominated: Yalitza Aparicio (Roma), Olivia Colman (The Favourite), Lady Gaga (A Star is Born), Melissa McCarthy (Can You Ever Forgive Me?)

At the apex of this category is a proper clash of the titans, as two masterful performances from Olivia Colman and Glenn Close vie for the prestigious Oscar statuette. Honestly, there’s not much separating the two. Colman stars in Yorgos Lanthimos’ The Favourite and is superb as Queen Anne. Blinkered by trauma, her character teeters on the edge of insanity, vulnerable and explosive in equal measure.

In a more restrained but equally brilliant turn, Glenn Close stars in The Wife and explores what a life lived in someone else’s shadow looks like. It’s a fabulously layered and, at times, even inscrutable performance. Piece by piece, with every passing injustice, the facade begins to crumble and the woman underneath emerges.

In truth, the only thing that separates these performances is Hollywood’s politics. As wonderful and experienced an actress as Colman may be, she’s fresh-faced in the world of Hollywood award shows. Glenn Close, on the other hand, has been nominated for an Oscar six times without winning. Quite simply, it’s her turn to win, and it’s hard to argue that she doesn’t deserve it.

The Wife Glenn Close.jpg

Glenn Close delivers an acting tour de force in The Wife.

The strength of Close and Colman’s performances in no way diminishes the magnificence of the other nominees in this category. It almost beggars belief that Roma marks Yalitza Aparicio’s first foray into the world of acting, so good is she at it. But its that exact lack of experience which lends a refreshing naturalism to her performance, and she absolutely deserves her moment in the limelight.

In Can You Ever Forgive Me?, Melissa McCarthy has stepped way out of her comfort zone and taken on a role which differs radically from anything she’s done before – but it’s a decision which has paid off. Though the film is essentially the story of a criminal, there’s a fragility about her performance which means you can’t help but like her.

And, of course, Lady Gaga’s performance in A Star is Born has been nothing short of revelatory. Her turn as Ally is brilliant on every level. Given Gaga’s superstardom, it’s only natural that she’s believable as the star she eventually becomes in the film, but more impressive is how wonderful she is in the quieter, more intimate moments of the film. It’s a performance underpinned by remarkable acting dexterity, and she, too, deserves high praise.

Sunday evening will undoubtedly be Glenn Close’s night, as she finally picks up her well-deserved, long-overdue Oscar. However, given the brilliant female talent on display in this category, it will also be a win for women in film.

Olivia Colman The Favourite

Olivia Colman is brilliant as the explosive Queen Anne in The Favourite.

Oscars 2019 Predictions – Best Supporting Actor

Best Supporting Actor is the category that we turn our attention to today. This is the first Oscar nomination for three of the nominees, whilst the other two are previous winners in this category.

89th Annual Academy Awards - Backstage

Will win: Mahershala Ali (Green Book)
Should win: Sam Rockwell (Vice)
Also nominated: Adam Driver (BlacKkKlansman), Sam Elliott (A Star is Born), Richard E. Grant (Can You Ever Forgive Me?)

The real contest in this particular category appears to be between the two actors who have triumphed in it before: Mahershala Ali and Sam Rockwell. Of the two, Ali is the favourite, though it is Rockwell who turns in the better performance.

Ali is excellent as Don Shirley in Green Book, and plays off his co-star Viggo Mortensen particularly well – however, it is a relatively measured, even one-note performance. Stoic through and through, there are a couple of scenes in which we get a glimpse of what Ali is capable of, but on balance the source material doesn’t give him much with which to flex his acting muscles. On the other hand, whilst Rockwell’s role in Vice is limited (he plays President George W. Bush to Christian Bale’s Vice-President Dick Cheney), his attention to detail is without comparison. Every mannerism and nuance of the naive and inxperienced Dubyah is present in his performance, and it’s a pleasure to watch.

PIANIST DON SHIRLEY

Mahershala Ali looks set to pick up his second win for Best Supporting Actor in just three years for his performance in Green Book.

Sam Elliott’s performance as Jackson Maine’s long-suffering older brother Bobby in A Star is Born comfortably qualifies him for the title ‘Best of the Rest’ in this category. The main plaudits for the film rightly went to Lady Gaga and Bradley Cooper, just as the prize for this category will likely go to either Ali or Rockwell, but Elliott has turned in an understated and powerful performance that at least appears to have won him a new generation of fans.

Richard E. Grant’s performance in Can You Ever Forgive Me? is certainly serviceable but ventures a little too far into the realms of caricature at times. Meanwhile, as pleasing as it is that Adam Driver has finally been nominated for an Oscar, there is a nagging sense that he has been nominated for the wrong film. His turn as Flip Zimmerman in BlacKkKlansman is solid but far from a career best, and in fact he has shown more depth in films such as Silence or even Star Wars.

Sam Elliott A Star Is Born

Sam Elliott is excellent as Bobby Maine in A Star is Born, though is unlikely to win the Academy Award on this occasion.

Oscars 2019 Predictions – Best Adapted Screenplay

In today’s post, we will be taking a look at the nominees for Best Adapted Screenplay at the upcoming 91st Academy Awards.

89th Annual Academy Awards - Backstage

Will win: BlacKkKlansman
Should win: A Star is Born
Also nominated: The Ballad of Buster Scruggs, Can You Ever Forgive Me?, If Beale Street Could Talk

It will probably be considered an upset if anything but BlacKkKlansman goes on to win the award for Best Adapted Screenplay – however, put simply, it is not the strongest screenplay nominated in this category. BlacKkKlansman is a fine film and its screenplay does a serviceable job, but one does have to wonder if its perceived dominance here is largely because of Spike Lee’s involvement. Lee is a brilliant director who has inexplicably failed to garner much attention from the Academy during his long and illustrious career. Given that his nominations in the Best Director and Best Picture categories this year are unlikely to yield any golden statuettes, Best Adapted Screenplay may well be the token award that rights the wrongs of Academy Awards gone by.

In truth, the more deserving winner would be Bradley Cooper, Eric Roth and Will Fetters’ screenplay for A Star is Born. It has been well documented that this is a film that has been remade numerous times throughout the years, with Cooper’s directorial debut serving as its fourth iteration. Far from retreading old ground, this is a screenplay which confidently reimagines the story for a different generation, adding layers of vibrancy  that make it feel bold and dynamic. It is no easy feat to make a story told this many times feel so fresh and relevant, and it is a great shame that it will likely go overlooked.

Whilst If Beale Street Could Talk and Can You Ever Forgive Me? both appear to have outside chances of doing well here, neither are strong enough to make waves that could rock the boat, and all the signs continue to point towards a win for BlacKkKlansman.

BlacKkKlansman

BlacKkKlansman is hot favourite to win the Best Adapted Screenplay category.