Oscars 2019 Predictions – Best Director

As we edge ever closer to the big day, today we turn out attention to one of the biggest awards of the night: Best Director.

89th Annual Academy Awards - Backstage

Will win: Alfonso Cuarón (Roma)
Should win: Alfonso Cuarón (Roma)
Also nominated: Spike Lee (BlacKkKlansman), Pawel Pawlikowski (Cold War), Yorgos Lanthimos (The Favourite), Adam McKay (Vice)

Alfonso Cuarón is no stranger to the Oscars. He has won twice before (once for Directing, once for Editing) and his latest cinematic offering, Roma, is almost certain to pick up the awards for Best Foreign Language Film and Best Cinematography on Sunday. However, as if that weren’t enough, he is the resounding favourite to win for Best Director, too.

This is not to say that the brilliance of the other directors is not plain to see. The other four films each bear the unique and distinct stamps of their respective directors, and it’s hard to think of any other filmmakers being able to tell those stories quite so well.

Lanthimos The Favourite.jpg

Yorgos’ Lanthimos is among this year’s nominees for Best Director for his work on The Favourite.

Pawel Pawlikowski’s Cold War is gorgeously shot, a melancholy meditation on love and what could have been that deserves a larger audience than it has received so far. On the other end of the spectrum, The Favourite is classic Yorgos Lanthimos. Eccentric, dark and offbeat, it is funny and sinister in equal measure. His directorial style is not to everyone’s taste, but it certainly captures the imagination.

In BlacKkKlansman Spike Lee provides a funny but thought-provoking insight on race relations which feels more relevant than ever, whilst Adam McKay’s Vice is assured, brash, snappy and equally critical of Trump’s America and its origins.

Excellent though the directorial work on the other nominated films in this category may be, Cuarón’s delicate, understated take on life in 1970s Mexico is leagues above everything else. There’s a stillness about his work, and a patience in the storytelling, which is deeply immersive. There’s also a gentle innocence to it which makes this portrait of everyday life feel profoundly intimate and personal. The end product is a beautiful piece of cinema, and Cuarón will be a worthy second-time winner of this award.

ROMA

Barring any great upset, Alfonso Cuarón looks set to pick up his second Oscar for Best Director for Roma.

Oscars 2019 Predictions – Best Foreign Language Film, Best Animated Feature Film

There are some real gems in two of this year’s lesser-known categories. Today we take  look at the nominees for Best Foreign Language Film and Best Animated Feature Film.

89th Annual Academy Awards - Backstage

Best Foreign Language Film

Will win: Roma
Should win: Roma
Also nominated: CapernaumCold War, Never Look AwayShoplifters

There is no doubt whatsoever about Roma’s win in this category. Its dominance does perhaps do a slight injustice to the other nominees – with Pawel Pawlikowski’s Cold War in particular proving to be a beautifully shot gem of a film – but Alfonso Cuarón’s deeply personal, intimate tale of life in 1970s Mexico exists in a league of its own.

Roma

In no doubt: Alfonso Cuarón’s Roma is all but guaranteed to win Best Foreign Language Film.

Best Animated Feature Film

Will win: Spider-Man: Into the Spider-Verse
Should win: Spider-Man: Into the Spider-Verse
Also nominated: Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet.

The latest outing in the Spidey universe is a supremely confident, gorgeously animated feature that ranks among the best Spider-man films ever made. Fan service is blended with a genuinely intelligent plot that packs a real emotional punch. It’s a superb film in its own right, but the animation elevates it – quite literally – to a new dimension. A worthy runner-up would be Wes Anderson’s Isle of Dogs, which thoughtfully explores themes very relevant to today’s world. Led by an all-star cast, it’s brought to life by some of the most visually interesting animation of recent years.

Into the Spider-Verse

When done well, animation can make good films great. With Spider-Man: Into the Spider-Verse, it makes a great film even greater.